Das Kind, das nicht fragte: Roman (German Edition)

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  1. Das Kind, das nicht fragte
  2. KIND DAS NICHT FRAGTE PDF Original - Free E-Book Download
  3. Trier (Germany)
  4. Keynote address given by Georg Klein
  5. Umstrittener Jugendroman: Verführung zum Nihilismus

Touching upon the subject of translation it is important to classify the sort of translation. Herlitschka Welt-Wohin. His translation is a so-called literary translation. Its chore is the original from Aldous Huxley. Countless works on translation and how to translate adequately exist in the fields of research and scholars. The works on translating as a means of sociological study or dialog research within pragmalinguistics will not be taken into consideration. Rather, the topic of translation as a means of arts will be depicted.

Benjamin for example says that through translation works of art live on Benjamin Greiner has written a very helpful article about national cultures of translation and found out that the translator is always the incision between the culture of the original she translates and the culture of the readers or historical factum she translates the work for. A translation is hybrid in its essence because it is on the one hand bound to the original and on the other hand to the target culture.

Greiner concludes these notions about translation in the assumption that a translation can never be the reflection of the original Walter Benjamin engages into the role of the translator and describes the work of a translation with a very suitable metaphor of how a tangent touches a circle:. He argues that the translator must echo the original but never copy it. Benjamin furthermore points out that the art of translation is also an art of poetry because the translator has to translate or write poetry in a broader sense according to her readership. This means that the translator always faces the task of creating a work of her one.

Moreover, her translation is functional for expression the relationship two languages and two cultures have to each other Benjamin Gadamer examined in great detail how understanding a text and interpreting a text correlate in a translation. The sense of the original must be preserved but presented in a different way. Also, in his philosophical discourse about hermeneutics and language, Gadamer states that understanding equals interpreting:. Seit der Romantik kann man sich die Sache nicht mehr so denken, als ob die auslegenden Begriffe zum Verstehen hinzutreten, indem sie aus einem sprachlichen Vorratsraum, indem sie schon bereitliegen, je nach Bedarf herbeigezogen werden, wenn die Unmittelbarkeit des Verstehens sonst ausbleibt.

Vielmehr ist die Sprache das universelle Medium, in dem sich das Verstehen selber vollzieht. Die Vollzugsweise des Verstehens ist die Auslegung. In her article on the translation turn in cultural studies, Susan Bassnett explains how the framework and the expectations towards a translator changed in the last 50 years.

Das Kind, das nicht fragte

Another researcher, Lefevere, states that:. It is not inconceivable that a theory elaborated in this way might be of help in the formulation of literary and linguistic theory; just as it is not inconceivable that translations made according to the guidelines tentatively laid down in the theory might influence the development of receiving culture.

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She further elaborates on how cultural studies go hand in hand with linguistics. This is crucial to have in mind because the correlation between translation and historical, social or cultural studies may not always be this clear. Bassnett also takes into consideration the distinction between high and low culture and how certain literary works are chosen to be translated and others never will. This aspect of modern literature will not be dealt with greatly in this paper.

To be exact, Sherry Simon puts it:.

KIND DAS NICHT FRAGTE PDF Original - Free E-Book Download

The poetics of translation belongs to a realization of an aesthetics of cultural pluralism. The literary object is fragmented, in a manner analogous to the contemporary social body. Therefore, it can be concluded that translation as a means of art is very important for social- and cultural studies because it contributes to a continuum of thought and art. Thus, this paper discusses the poetics Herlitschka uses in his translation, trying to outline his characteristic style. In this chapter a definition of the genre and lexeme utopia will be attempted.

Initially, the etymological source of the word utopia will be discussed in order to lead on to a more methodical and theoretical analysis of a literary genre, also called utopia. It was Thomas More who, in , first shaped the at that time neologism utopia. This means, it was a word invited so to speak, for a new concept that needed specification.

The roots for his neologism were found in the Greek language:. Etymologically, utopia is thus a place which is a non-place, simultaneously constituted by a movement of affirmation and denial. So basically, utopia as a lexical neologism was invented in order to describe a place, which does not exist. In her thesis, Julie de Molade adds to the general etymology of the word that the prefix u may also be understood as phonetically eu which means good. This non-existent good place is also connoted to be better than the existing place a traveler comes from.

The German philosopher Ernst Bloch describes this principal of utopia as equal to hope. Consequently, the semantic meaning of utopia is a non-existent good place which gives hope to those traveling to it.

Trier (Germany)

In contrasts, a dystopia has no such positive connotation. More likely, it is a place gone wrong.

The prefix dys means bad or painful from a medical point of view Based on the concept of utopia, the derivation neologism dystopia means an existing place gone wrong. An anti-utopia would thus be the opposite of a utopia. The prefix anti is of Latin origin and means against or opposite of. In opposition to dys , a nti does not convey a negative connotation; it simply means the opposite to another lexicon.

Therefore, an anti-utopia would be a non-existing bad place and not an existing place gone wrong. The research field engaging in utopian literature is a rather young one. Utopianism can be considered an academic field since the s. Within this academic field, the definitions of utopia, dystopia and anti-utopia are blurry.

Utopianism is obviously the generic term for all of these literary concepts. Some critics are of the opinion that there is no such term as utopianism — it is all science fiction. Science fiction as a genre will not be discussed in this paper, though. A piece of literature can be considered utopian through its narrative structure and the conceptual content which either depicts an unknown place or an existing place which is altered of some sort.

The extend of incoherence can only be asserted by the reader:. Das ist doch sonderbar! Recke liebt diese Familie sehr, sie lebt auf einem Gute von Recke, eine halbe Meile von hier. Ich will die Freundschaft dieser Menschen suchen, weil mein Mann sie liebt.

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Mir gefallen diese Menschen recht gut, und das Pastorat ist ganz nahe bei Neuenburg. Jetzt, liebes Stolzchen, bin ich durch den Besuch meiner lieben Lisette recht froh. Ich kann dir es gar nicht sagen, meine Liebe, wie mich die Verabschiedung der guten, alten Frau schmerzte! Stolzchen, du hast die gute, alte Frau nicht gekannt! Recke sagte sehr bitter, die erste Pflicht eines Weibes sei die, nach dem Beifalle ihres Mannes zu streben.

Keynote address given by Georg Klein

Leben Sie wohl, Liebe! Ein guter Mensch wird eine unschuldige Frau nie verleumden und dieser ein solches Bad bei ihren Verwandten zurichten! Gott kann, Gott wird alles zum Besten lenken!

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  4. Vielleicht hat unser guter Gott mich zum Werkzeuge ausersehen, aus meinem Mann durch Sanftmut und Geduld einen bessern Menschen zu machen. Ich will den Mut nicht verlieren! Gestern ging mein Brief an Sie ab, und heute fange ich sogleich einen andern an! Aber das soll mit Gottes Hilfe schon anders werden. Ich will gar nicht herrschen! Nun wollte Taube,. Sie sagte schon so einen Tag zu meinem Manne: "Lottchen ist gar nicht wie aus unsrer Familie; sie karessiert den lieben Mann gar nicht. Abends nach zehn. Heute war mein Mann recht freundlich, und er blieb es auch, als wir allein waren und auf unser Zimmer hinaufgingen.

    Gott, wie charakterisierte sie ihn in ihren Fantasien! Um einige Tage hat er mir versprochen, mit mir nach Altautz zu fahren. Sie werden es sehn, liebes Stolzchen, mein Mann wird mich am Ende noch recht lieb halten. Kaum waren wir zum Tor hinaus, als Recke schon zu brummen anfing. Bei Gott! Hier habe ich von Recke noch kein freundliches Gesicht bekommen! Gegen 4 Uhr nachmittags. Mein guter Vater sprach immer von meinen Feldern, meinem Viehe, meiner Leinewand. Mein lieber Vater schilderte. Ich konnte kein Wort sprechen! Aber die Rede meines guten Vaters hatte mein Herz zerrissen! Mein Vater hatte auch das Wort "Pfand der Liebe" ausgesprochen.

    Umstrittener Jugendroman: Verführung zum Nihilismus

    Pfand der Liebe! Und dann, wenn in meiner Seele ein besseres Bild der seinigen ruht, dann, ja dann, dann will ich ihm und meinem Vater mit tausend Freuden unter den schwersten Mutterwehen Vaterfreuden bringen. Liebes Stolzchen, verbrennen Sie diesen Brief, mein Herz war mir so voll! Einige Tage der Freude waren mein! An diesen Tag, mein Stolzchen, will ich denken, wenn mein Mann wieder unfreundlich wird.

    Lisette sagte mir nachher, ich soll totenbleich, aber sehr interessant ausgesehen haben, weil meine Haut noch. Mein Haar war ganz zerstreut, und dies soll mir sehr wohl gelassen haben. Er fragte mich mit einer sehr liebreichen Stimme, indem er die Hand nach mir ausstreckte: "Was ist dir, mein Weibchen, dein bleiches Gesicht wird mit einem Male blutrot? Mein Stolzchen! Gott, Gott! Kurz, Stolzchen!